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A troubled young man at a mental health institution gets a quiet new roommate. The pair become close friends, bonded over a mutual threat that may or may not be real.
John William ‘Will’ Cooper is a modern-day rancher, maintaining his ranch in hard times along with his friend and foreman Amos Russell. When Will’s estranged daughter Jake returns to the ranch for her grandfather’s funeral, father and daughter clash over how to run the ranch and over the death years before of Jake’s mother, which she blames on Will. Crisis comes in the form of insurmountable debt, and it is only by working together that Will and Jake have any chance of saving their home and their family.
In the early 20th century, some convicts while on a road gang escape and one of the convicts is Zach Provo, a half Indian, who was sent to prison during the latter part of the 19th century. He escapes with 6 others to exact vengeance on Sam Burgade the lawman who not only captured him but was also responsible for the death of Provo’s wife, at least in Provo’s mind. Part of his plan is to kidnap Burgade’s daughter, which prompts him to strap on his guns and go after him on horseback. Can Burgade who has been retired for sometime still have what it takes to track Provo down?
Beksiński is a gentle man with arachnophobia, despite his hardcore sexual fantasies and his fondness for painting disturbing dystopian works. Beksiński is a family man who wants only the best for his loving wife Zofia, neurotic son Tomasz and the couple’s aging mothers. His daily painting to classical music eventually pays off and he makes a name for himself in contemporary art. Good Catholic woman Zofia tries to hold the family together, but troubled son Tomasz proves to be a handful with his violent outbursts and suicidal threats. Their relief is brief when he starts dating women and becomes a radio presenter and movie translator, and the concerned parents must be on constant watch to prevent their son from hurting himself. But Beksiński never believed that family life would always be sunshine and rainbows. As he tapes everything with his beloved camcorder, the 28-year Beksiński saga unfolds through paintings, near-death experiences, dance music trends and funerals…
Mister Jim’ is how the employees respectfully addressed their boss Jim Hardy, the last Hardy to work in the family business and now retired. It was Jim’s Grandfather and Greatuncle, who in 1873 opened a small shop in the far north of England. Both passionate fisherman, they invented fishing tackle and began to sell it. Their skill, devotion, and innovative marketing strategies allowed them to conquer the world. The name Hardy’s has now been synonymous with fishing for 130 years. Vintage Hardy’s handmade tackle stirs the heart of many a fisherman with Prince Charles amongst the enthusiasts, these are now prized collectors items. Today the skills involved in hand made fishing tackle are dying although the company does survive.
A hardened mechanic must stay awake and maintain an interstellar ark fleeing the dying planet Earth with a few thousand lucky souls on board… the last of humanity. Unfortunately, humans are not the only passengers. A shapeshifting alien creature has taken residence, its only goal is to kill as many people as possible. The crew must think quickly to stop this menace before it destroys mankind.
More than two decades have passed since Sarah Connor prevented Judgment Day, changed the future, and re-wrote the fate of the human race. Dani Ramos is living a simple life in Mexico City with her brother and father when a highly advanced and deadly new Terminator – a Rev-9 – travels back through time to hunt and kill her. Dani’s survival depends on her joining forces with two warriors: Grace, an enhanced super-soldier from the future, and a battle-hardened Sarah Connor. As the Rev-9 ruthlessly destroys everything and everyone in its path on the hunt for Dani, the three are led to a T-800 from Sarah’s past that may be their last best hope.
Martial arts expert Matt Hunter was one of the most promising operatives in Army intelligence until his parents were killed by terrorists, and he retired to the family’s farm in Louisiana to take care of his 12-year-old sister Sara and their grandfather Jimmy. Larry Richards, a black man running for the Senate, is one of Matt’s best friends. Larry has become the target of The Pentangle, a racist organization led by a man named Glastenbury, and Glastenbury doesn’t want Larry to be elected. In an attempt on Larry’s life during a Mardi Gras parade in New Orleans, The Pentangle kills one of Larry’s sons. Matt lets Larry, his wife Daisy, and his other son move to the remotely located farm so they can hide from Glastenbury and the Pentangle, but the Pentangle strikes again, setting the farmhouse on fire. Matt and Sara escape as the only survivors. Then the Pentangle kidnaps Sara, sending Matt on a mission to rescue Sara from Glastenbury and the Pentangle
For No Good Reason a film about Ralph Steadman. Johnny Depp guides the visually stunning journey, smashing narrative conventions, moving seamlessly from interview to animation and in the finest Gonzo tradition questions of witness and authenticity are challenged. Steadman’s art is for the first time animated, including illustrations from Hunter S Thompson’s Fear and Loathing in Las Vagas. Featuring Richard E Grant, Terry Gilliam, Bruce Robinson and with music from Slash, The All American Rejects, Jason Mraz, Crystal Castles, Ed Hardcourt and Beth Orton. A touching and at times funny film about honesty, friendship and the ambition driving an artist. This is a true record of the demise of the 20th Century counterculture and hipster dream with Ralph Steadman the last of the Gonzo visionaries.
Last months of World War II in April 1945. As the Allies make their final push in the European Theater, a battle-hardened U.S. Army sergeant in the 2nd Armored Division named Wardaddy commands a Sherman tank called “Fury” and its five-man crew on a deadly mission behind enemy lines. Outnumbered and outgunned, Wardaddy and his men face overwhelming odds in their heroic attempts to strike at the heart of Nazi Germany.
Retirement at last! Middle-aged and divorced, company owner Richard Jones is looking forward to a worry-free existence as he arrives at his office on his last day of work. Much to his dismay, he discovers that the management buyout of his company was fraudulent. The company is now bankrupt and the employee pension fund — including his own — has been embezzled. Enlisting the help of his ex-wife Kate, Richard sets out to track down the shady businessman behind the fraud…
By day, Richard Haig is a successful and well-respected English professor at renowned Trinity College in Cambridge. By night, Richard indulges his own romantic fantasies with a steady stream of beautiful undergraduates. But Richard has grown tired of the game and is looking for something more meaningful and lasting. So when Kate, Richard’s tanned, athletic, 25-year-old American girlfriend tells him that she is pregnant, Richard is thrilled. He looks forward to having a family of his own, being a father his children could be proud of, not some sex-fueled bobcat. There is only one problem. Richard’s not in love with Kate. Richard is in love with Kate’s sister, Olivia. He had been in love with her ever since he first saw her.
Young writer, Richard Collier is met on the opening night of his first play by an old lady who begs him to, “Come back to me.” Mystified, he tries to find out about her, and learns that she is a famous stage actress from the early 1900s. Becoming more and more obsessed with her, he manages – by self-hypnosis – to travel back in time where he meets her. They fall in love, a matching that is not appreciated by her manager. Can their love outlast the immense problems caused by their ‘time” difference, and can Richard remain in a time that is not his?
The epic story of the first contact, encounter, approach, betrayal and, eventually, life-transcending friendship, between Karamakate, an Amazonian shaman, last survivor of his people, and two scientists that, over the course of 40 years, travel through the Amazon in search of a sacred plant that can heal them. Inspired by the journals of the first explorers of the Colombian Amazon, Theodor Koch-Grunberg and Richard Evans Schultes.
At Big Jim’s Auto Depot there’s only one rule. The last man – or woman – standing wins. Eight teens enter, one teen leaves. Actually, all eight teens leave, but only one leaves with the ride of their dreams. To reach that dream, they’re going through a nightmare. Keep your hand on the car. That sounds simple enough, but two days of sleep deprivation and fierce competition can make things awfully hard.
Ambitious young Manhattanite and urban conservationist Beth wants it all: a good job, good friends, and a good guy to share the city with. Of course that last one is often the trickiest of all. Beth falls hard for Tommy, a sexy, young Wall Street hot-shot. But just as everything seems to be falling into place, complications arise in the form of Tommy’s sensitive and handsome co-worker Daniel. Beth soon learns that the game of love in the big city is a lot like Wall Street — high risk, high reward and everybody has an angle.
When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title “German Concentration Camps Factual Survey”.
Based on the true story of Ruth Ellis, the last woman hanged in Britain, Mike Newell’s Dance With a Stranger (1985) concentrates on Ellis’s (Richardson) short-lived relationship with motor-racing driver David Blakely (Rupert Everett).
A brutal serial killer is finally gunned down in the middle of carrying out one last heinous act of bloody murder. In the maniac’s possession, a box of Guatemalan talismans, which mistakenly end up being sold as charm jewelry in Chloe’s Collectables thrift shop. Soon those who bought the Worry Dolls begin to act strangely out of character and cause another rash of senseless slaughter. An ancient curse is consuming the city and pits a hardened detective against the clock to save his 8 year-old daughter’s life.
When Jenny and Brian inherited a quaint bed and breakfast called Emily’s Inn the last thing they expected was to fall in love, especially since they are complete opposites. She’s an easygoing caterer from Connecticut with a touch for conjuring up delicious dishes while he’s a hard-driving Wall Street type with a knack for wheeling and dealing. Still, their chemistry is undeniable so they move to rural Pennsylvania to remodel their inn and eventually get married. But after a big storm proves the inn’s roof needs repair and their bills start to pile up, Brian jumps at the offer to do a few deals on Wall Street. Soon, he’s spending more time commuting on the train than with Jenny. Although romance is budding everywhere with the guests at Emily’s Inn, it’s fading fast between the inn’s proprietors.
A lifetime hood has one night to repay a debt to an up and coming shot caller before he can leave town, all the while trying to duck a crooked P.O., a former partner with a grudge and a burned out Narc Cop, as well as do his best to win back the woman he left behind, who has spent her last few years paying a hard price for his mistakes.
TV drama based on Richard Burton’s diaries, about his last performance in 1983 with ex-wife Elizabeth Taylor. They meet after several years and he agrees to her suggestion that they star in a stage revival on Broadway of Noel Coward’s comedy ‘Private Lives’, although Elizabeth Taylor has never before performed on stage. Burton soon regrets his agreement, however, when her pill-popping and lack of discipline causes problems already during the rehearsals. The play opens to a critical trashing, but is popular with audiences because they just want to see Taylor. After a two month troubled run, the curtain comes down and Taylor tells Burton she has always loved him and still does. A year later he is dead.
1951: Andy Schmidt is in his last year of college. Taking life easy and always a saucy joke on his lips, he manages to win fellow student Mary’s heart, although she’s already otherwise engaged. But getting a job after college turns out much harder than expected; most directors take offense at his free interpretation of his roles. Desperate, he tries in wrestling. To avoid getting beaten up he stages the fights – and incidentally invents show-wrestling.
Documentary in which painter and critic Matthew Collings charts the rise of abstract art over the last 100 years, whilst trying to answer a set of basic questions that many people have about this often-baffling art form. How do we respond to abstract art when we see it? Is it supposed to be hard or easy? When abstract artists chuck paint about with abandon, what does it mean? Does abstract art stand for something or is it supposed to be understood as just itself?
The American Dream Is the cultural motif that has inspired North America for the last century. Work hard, save, sacrifice and you will get ahead. America offers the freedom of upward mobility. But over the last decade the American Dream has been called into question. For many, it no longer seems to be working. The MILLENNIAL DREAM is a feature length documentary that explores the values that may replace the cultural motif known as The American Dream. As the Millennial generation becomes the most significant portion of the work force what will change about what we want from our jobs, what education will look like, what kinds of companies will succeed in the new economy and what kinds of living communities will be desired? And what can cities and regions do to attract the new economy? Interviews with experts such as Seth Godin and the personal reflections of young workers will stir debate and dialogue around what might emerge as the Millennial Dream.
Following the suspected suicide of her friend and fellow teacher, Julie Taylor is hired to take over the senior math class for the last few weeks of school. It’s been a difficult year for Julie and this is a fresh start for her and her teenager daughter Miya. Though Julie hopes that being both the new kid and the new teacher’s daughter won’t be too hard on Miya, she can’t help but worry when her daughter becomes fast friends with the school’s resident mean girl, Amy Turner. Amy’s dangerously manipulative ways and fierce obsession with becoming prom queen leave Julie not only concerned for her daughter’s safety, but questioning just how far Amy will go to win that crown.
A portrait of a homeless park community bonded by crack cocaine addiction. In the park’s drug-fixated shantytown, Cody is a kind of crackhead father figure who helps his friends when they are in trouble or in desperate need of a “blast.” His girlfriend, Alicia, is a romantic who’s losing her soul to the drug, and E-Max is a street hustling pimp who is trying to scoop young Linda into his motley legion of harlots. Hoover Blue, earth mother to all the addicts, attempts to pound some knowledge into the starry-eyed Linda while Cody tries to help young P-Air get his hustle on to record a hip hop track and make it big. But when Cody’s real son, Terry, tracks him down to tell him his wife has passed away, Cody doesn’t even recognize him at first and then can’t help him with postmortem affairs. After five years of crack addiction, Cody wants to get straight and do right by Terry, but the harder he struggles to escape the park, the more it closes in on him.
TRU, 37, is a serial bed-hopping lesbian who cannot commit to a relationship or a job for long…that is, until she meets ALICE, 60, a beautiful widow, who has come to town at the last minute to visit her daughter, SUZANNE, 35, a too-busy corporate lawyer and Tru’s friend. Alice and Tru begin to forge an unlikely friendship…and more. Suzanne, who has a deeply conflicted relationship with her mother and a complicated past with Tru, becomes increasingly alarmed at the growing bond between Tru and her mother. Tensions escalate after Suzanne witnesses an intimate moment between them. She tries to sabotage the budding romance, but it backfires, as Tru Love is hard to contain.
In the 30s, a small village in the Provence is losing its inhabitants because young people prefer to go to the city to find easy jobs and escape from being farmers living in relative poverty. Only a few old people and the poacher Panturle remain. Panturle dreams of bringing the village back to life, finding a wife, founding a family and work as a farmer. One day, the village is visited by a traveling knife-grinder, Urbain Gedemus and a young woman, Arsule. Gedemus treats Arsule like a slave, but Arsule accept this because she has nowhere to go and -we guess- her ‘work’ with Gedemus is the last thing that saves her from being a prostitute. When she meets Panturle and knows about his dreams, she escapes from Gedemus and decides to stay with him. Together, they start a new life, made of hard farming work but mostly of happiness to have each other – fulfilling the earlier dreams of Panturle. Can anything break the happiness of their new life?
A reserved woman executive begins having vivid dreams about a young girl she hardly knows, being brutally murdered. As the dreams intensify, she calls the police and two skeptical detectives are called in. Her husband is the last person to believe her, but the first person she begins to suspect. Then, one of the detectives begins to have the same dreams..
